The Fluxus movement emerged in the 1960s as an experimental and multidisciplinary artistic movement that spread across several countries and sought to break down the traditional boundaries between different art forms and between art and everyday life. Fluxus artists adopted playful and open approaches to artistic production, incorporating ordinary objects and actions, music, performance, movement, visual arts, and literature to challenge conventional concepts of art and engage audiences in artistic experiences. George Maciunas was the principal founder and organizer of the movement, describing Fluxus as a combination of diverse influences, including music, humor, games, vaudeville, the ideas of John Cage, and Marcel Duchamp. Fluxus did not follow a single artistic program or unified style, as its artists held diverse and sometimes contradictory views and practices. Some even considered any precise definition of Fluxus to be contrary to its spirit of freedom and resistance to established classifications. The movement was characterized by the integration of visual arts, literature, music, dance, theater, and performance, contributing to the recognition of performance as a legitimate artistic medium within contemporary art. Fluxus artists also challenged the authority of museums and art institutions in determining the value of artworks and rejected the elitist concept of “high art.” Instead, they sought to make art more accessible to wider audiences through simple, affordable, and often humorous works. Many Fluxus works incorporated chance and audience participation into the creative process, reflecting a rejection of strict artistic control and encouraging interaction and unpredictability. In 1962, Maciunas began developing the idea of publishing scores and works associated with Fluxus concerts, which later evolved into what became known as Fluxus Editions. These publications included artistic works and printed materials produced and distributed through unconventional methods. Maciunas also established a distribution network through artist-run Fluxus stores, mail-order systems, newspapers, newsletters, and improvised exhibitions accompanying Fluxus concerts and festivals. This system helped the movement bypass traditional art institutions and make its works accessible to broader audiences. Their relatively low cost also allowed a wider range of people to engage with Fluxus art. In this way, Fluxus became an influential artistic experiment that challenged conventional ideas about the artwork, the role of the artist and audience, and the relationship between art and everyday life, contributing significantly to the development of interactive art, performance art, and conceptual practices in contemporary art.